BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:752@cal.gravitons.org SUMMARY:Natalia Beylis & Eimear Reidy DTSTAMP:20260618T192031Z DTSTART:20260930T183000Z DTEND:20260930T210000Z DESCRIPTION:Enthusiastic Eunuch Presents\n\n\nNATALIA BEYLIS & EIMEAR REIDY \n\n\n\nperforming pieces from their acclaimed 2023 album\n\n‘She Came Thr ough the Window to Stand by the Door’\n\nAlongside New Material\n\nThe Uni tarian Church\, Stephen’s Green\n\nWednesday 30th September\n\nDoors 7.30p m\n\nTickets €20 + booking via\nhttps://billetto.ie/e/natalia-beylis-eimea r-reidy-tickets-1956615\n[https://billetto.ie/e/natalia-beylis-eimear-reid y-tickets-1956615]\n\n\n\n'...Another fine argument for the existence of E SP in musicians.' - Pádraic\nGrant\, The Thin Air\n\n'Cellist Reidy and ex perimental all-rounder Beylis conjure the otherworldly\nwonder of the fore st' – Eoin Murray\, The Quietus\n\n\n\nOriginally released in 2023 on Nyah h Records\, ‘She Came Through the Window to\nStand by the Door’ was writte n and performed by cellist Eimear Reidy and keys\nplayer Natalia Beylis an d recorded at St Georges Church\, Carrick On Shannon\,\nLeitrim in a cold early January with a William Telford Organ. Built in 1846\, it\nis reputed to be the second oldest organ in Ireland. Eimear & Natalia are\nmarking a 2026 repress of the album with a special duo performance in the\nmagnific ent surroundings of the Dublin Unitarian Church on Stephen's Green.\n\nThe album features two long tracks.\n\nTRACK 1/SIDE A: 'Pour Upon The Sky' is a story told by the two voices of cello\nand organ. Influenced by the rhe torical style of 18th century vocal music\, the\ninspiration for this piec e came naturally to Eimear who has a background in\nearly music and has pe rformed alongside the organ in a variety of settings from\nchamber works t o Bach's larger orchestral works such as St Matthew Passion. In\n18th cent ury music\, the cello & organ perform a role as continuo players.\nTraditi onally the cello and organ are both intertwined and interdependent\,\nplay ing the bass line and harmonies together and providing a foundation for th e\nrest of the ensemble while soloists come in and out.\n\nIn 'Pour Upon T he Sky'\, Eimear and Natalia play within and without of this\ntraditional form. Freed from the need to hold the solid ground for an ensemble\,\nthe cello and organ playfully explore the space as they pass the role of solo\ nand continuo back and forth.\n\nhttps://www.youtube.com/watch?v=3SbQdRzGw D4\n[https://www.youtube.com/watch?v=3SbQdRzGwD4]\n\nTRACK 2/SIDE B: 'The Whistling Dust' is a slow steady study of the microscopic\nflutters of the organs and the organ. The heart of the Telford rattles and\nbreathes as t he cello dances in and out. When Natalia & Eimear began working on\nthese pieces in the cold January\, the Telford\, which seemed like it had been\n sitting quietly for quite some time\, shook and trembled as its insides we re\nawoken. 'The Whistling Dust' speaks to the moment when the instrument moved\nalive\, every opened stop knob of the pipes bringing the feel of th e microsounds\nof the machine closer and closer as the cello offers uttera nces of\nencouragement.\n\nhttps://www.youtube.com/watch?v=XZPuYmbL4gI\n[h ttps://www.youtube.com/watch?v=XZPuYmbL4gI]\n\n\n\nThe cover for the album is taken from Breda Lynch's mysterious 'Blue Dyke'\nseries and speaks to the enigmatic atmosphere of the music.\n\nhttps://nyahhrecords.bandcamp.co m/album/she-came-through-the-window-to-stand-by-the-door\n[https://nyahhre cords.bandcamp.com/album/she-came-through-the-window-to-stand-by-the-door] URL:https://cal.gravitons.org/event/natalia-beylis-and-eimear-reidy LOCATION:Dublin Unitarian Church - 112 St. Stephen's Green\, D02 YP23 STATUS:CONFIRMED CATEGORIES:music,ambient,Dublin,live music,Ainriail,irish music,experimenta l music,contemporary classical,dublin gig,indepdendent music X-ALT-DESC;FMTTYPE=text/html:

Enthusiastic Eunuch Presents

Natalia Beylis & Eimear Reidy

performing piece s from their acclaimed 2023 album

‘She Came Through the Window t o Stand by the Door’

Alongside New Material

The Unitarian Church, Stephen’s Green

Wednesday 30th September

Doors 7.30pm

Tickets €20 + booking via https://billetto.ie/e/n atalia-beylis-eimear-reidy-tickets-1956615

'...Anothe r fine argument for the existence of ESP in musicians.' - Pád raic Grant, The Thin Air

'Cellist Reidy and experimental al l-rounder Beylis conjure the otherworldly wonder of the forest' – Eoin Murray, The Quietus

Originally release d in 2023 on Nyahh Records, ‘She Came Through the Window to Stand by t he Door’ was written and performed by cellist Eimear Reidy and keys p layer Natalia Beylis and recorded at St Georges Church, Carrick On Shannon , Leitrim in a cold early January with a William Telford Organ. Built in 1 846, it is reputed to be the second oldest organ in Ireland. Eimear & Natalia are marking a 2026 repress of the album with a special duo perform ance in the magnificent surroundings of the Dublin Unitarian Church on Ste phen's Green.

The album features two long tracks.

TRAC K 1/SIDE A: 'Pour Upon The Sky' is a story told by the t wo voices of cello and organ. Influenced by the rhetorical style of 18th c entury vocal music, the inspiration for this piece came naturally to Eimea r who has a background in early music and has performed alongside the orga n in a variety of settings from chamber works to Bach's larger orchestral works such as St Matthew Passion. In 18th century music, the cello & o rgan perform a role as continuo players. Traditionally the cello and organ are both intertwined and interdependent, playing the bass line and harmon ies together and providing a foundation for the rest of the ensemble while soloists come in and out.

In 'Pour Upon The Sky', Eimear and Natali a play within and without of this traditional form. Freed from the need to hold the solid ground for an ensemble, the cello and organ playfully expl ore the space as they pass the role of solo and continuo back and forth.

https://www.youtube.com/watch?v=3SbQdRzGwD4

TRACK 2/SID E B: 'The Whistling Dust' is a slow steady study of the microscopic flutters of the organs and the organ. The heart of the Telford rattles and breathes as the cello dances in and out. When Natalia & E imear began working on these pieces in the cold January, the Telford, whic h seemed like it had been sitting quietly for quite some time, shook and t rembled as its insides were awoken. 'The Whistling Dust' speaks to the mom ent when the instrument moved alive, every opened stop knob of the pipes b ringing the feel of the microsounds of the machine closer and closer as th e cello offers utterances of encouragement.

https://www.youtube.com/watc h?v=XZPuYmbL4gI

The cover for the album is taken from Bre da Lynch's mysterious 'Blue Dyke' series and speaks to the enigmatic atmos phere of the music.

https:/ /nyahhrecords.bandcamp.com/album/she-came-through-the-window-to-stand-by-t he-door

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