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UID:694@cal.gravitons.org
SUMMARY:Metronome: Dublin Modular @ National Concert Hall (Pride Week Showc
	ase)
DTSTAMP:20260604T152400Z
DTSTART:20260624T193000Z
DTEND:20260624T212000Z
DESCRIPTION:METRONOME: DUBLIN MODULAR\n\nFolding Waves & Genevieve Howard \
	nTadhg Kinsella \nSonia Killmann \n\nTicket Link - https://www.nch.ie/all-
	events-listing/metronome-dublin-modular/\n[https://www.nch.ie/all-events-l
	isting/metronome-dublin-modular/]\n\nAn evening where modular and hardware
	 electronics fuse with acoustic\ninstrumentation and immersive digital art
	. Curated as a celebration of queer\nidentity\, experimentation\, and coll
	aboration\, this event brings together some of\nIreland’s most exciting el
	ectro-acoustic artists. Expect performances to blur\ngenres\, sounds and w
	orlds. A vibrant snapshot of Ireland’s evolving electronic\nmusic landscap
	e and grassroots communities.\n\nFolding Waves is an international award-w
	inning creative audio studio based in\nDublin. Comprising a small team of 
	sound designers\, composers and mix engineers\,\nunited by their shared en
	thusiasm for the symbiotic relationship between sound\nand moving image.\n
	 \nBorne from their collaboration for ICADs Reverb event (part of Irish De
	sign Week\n2025)\, Folding Waves will be performing alongside multidiscipl
	inary artist\,\ndesigner and musician Genevieve Howard - live processing h
	er spontaneous harp\ngestures through a Eurorack modular synthesiser. \n \
	nThis\, with accompaniment from Folding Waves' own Mark Bergin on heavily 
	effected\nBanjo\, creates a sonically rich\, and texturally dense improvis
	ational soundscape\n- harkening back to Ireland's cultural music tradition
	 through a distinctly\nmodernist lens.\n\nTadhg Kinsella is a queer Dublin
	-based sound artist\, classically trained\npercussionist\, and composer wh
	ose work blends acoustic performance with\nexperimental electronic practic
	es.\nSpecialising in modular synthesis\, haptic sound devices\, and percus
	sion\nelements. Tadhg’s practice spans contemporary classical music\, soun
	d art\, and\nimmersive installation. Their work explores the meeting point
	 of sound\,\ntechnology\, and urban space\, often drawing on lived experie
	nces\; queer identity\,\ndisability and grief to shape compositional and p
	erformative approaches. Deeply\nengaged in Ireland’s contemporary/experime
	ntal arts through grassroots\, queer &\ndisability communities. \n\nTadhg’
	s compositions have recently been performed and exhibited in Berlin\,\nBri
	stol\, Romania and Stockholm\, with past performances at international\nma
	sterclasses and concert halls across the United States\, Colombia\, and Eu
	rope.\nIn Ireland\, their work has been presented at Project Arts Centre\,
	 the RHA\nGallery\, Smock Alley Theatre\, and IMRO for NMDX.\n\nSonia Kill
	mann is an international saxophone player and electronic musician.\nThey h
	ave performed across the UK and Europe and are collaborating closely with\
	nCryptic Glasgow as a Cryptic artist\, working in immersive installations 
	and\naudiovisual performance. Sonia's work treads the boundaries between t
	he familiar\nand the unfamiliar by merging organic and synthetic sound wor
	lds. Sonia has been\nexploring Pauline Oliveros’ Deep Listening concepts t
	hrough circular breathing\nand adapting environments in the context of liv
	e performance.
URL:https://cal.gravitons.org/event/metronome-dublin-modular-national-conce
	rt-hall-pride-week-showcase
LOCATION:National Concert Hall - Earlsfort Terrace\, Dublin 2\, D02 N527\, 
	Ireland
STATUS:CONFIRMED
CATEGORIES:Ainriail,art,community,Dublin,Dublin Modular,exhibition,experime
	ntal,Experimental Electronic,live music,modular,music,sound
X-ALT-DESC;FMTTYPE=text/html:<h2>Metronome: Dublin Modular</h2><p><strong>F
	olding Waves</strong> &amp; <strong>Genevieve Howard&nbsp;</strong><br><st
	rong>Tadhg Kinsella</strong>&nbsp;<br><strong>Sonia Killmann&nbsp;</strong
	></p><p>Ticket Link - <a target="_blank" href="https://www.nch.ie/all-even
	ts-listing/metronome-dublin-modular/">https://www.nch.ie/all-events-listin
	g/metronome-dublin-modular/</a> </p><p>An evening where modular and hardwa
	re electronics fuse with acoustic instrumentation and immersive digital ar
	t. Curated as a celebration of queer identity, experimentation, and collab
	oration, this event brings together some of Ireland’s most exciting electr
	o-acoustic artists. Expect performances to blur genres, sounds and worlds.
	 A vibrant snapshot of Ireland’s evolving electronic music landscape and g
	rassroots communities.</p><p><strong>Folding Waves</strong> is an internat
	ional award-winning creative audio studio based in Dublin. Comprising a sm
	all team of sound designers, composers and mix engineers, united by their 
	shared enthusiasm for the symbiotic relationship between sound and moving 
	image.<br>&nbsp;<br>Borne from their collaboration for ICADs Reverb event 
	(part of Irish Design Week 2025), Folding Waves will be performing alongsi
	de multidisciplinary artist, designer and musician <strong>Genevieve Howar
	d</strong> - live processing her spontaneous harp gestures through a Euror
	ack modular synthesiser.&nbsp;<br>&nbsp;<br>This, with accompaniment from 
	Folding Waves' own Mark Bergin on heavily effected Banjo, creates a sonica
	lly rich, and texturally dense improvisational soundscape - harkening back
	 to Ireland's cultural music tradition through a distinctly modernist lens
	.</p><p><strong>Tadhg Kinsella</strong> is a queer Dublin-based sound arti
	st, classically trained percussionist, and composer whose work blends acou
	stic performance with experimental electronic practices.<br>Specialising i
	n modular synthesis, haptic sound devices, and percussion elements. Tadhg’
	s practice spans contemporary classical music, sound art, and immersive in
	stallation. Their work explores the meeting point of sound, technology, an
	d urban space, often drawing on lived experiences; queer identity, disabil
	ity and grief to shape compositional and performative approaches. Deeply e
	ngaged in Ireland’s contemporary/experimental arts through grassroots, que
	er &amp; disability communities.&nbsp;</p><p>Tadhg’s compositions have rec
	ently been performed and exhibited in Berlin, Bristol, Romania and Stockho
	lm, with past performances at international masterclasses and concert hall
	s across the United States, Colombia, and Europe. In Ireland, their work h
	as been presented at Project Arts Centre, the RHA Gallery, Smock Alley The
	atre, and IMRO for NMDX.</p><p><strong>Sonia Killmann</strong> is an inter
	national saxophone player and electronic musician. They have performed acr
	oss the UK and Europe and are collaborating closely with Cryptic Glasgow a
	s a Cryptic artist, working in immersive installations and audiovisual per
	formance. Sonia's work treads the boundaries between the familiar and the 
	unfamiliar by merging organic and synthetic sound worlds. Sonia has been e
	xploring Pauline Oliveros’ Deep Listening concepts through circular breath
	ing and adapting environments in the context of live performance.</p>
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DESCRIPTION:Metronome: Dublin Modular @ National Concert Hall (Pride Week S
	howcase)
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